The first famous Black American artist - Henry Ossawa Tanner (2024)

This painting deserves to be better known and with the resurgence of the Black Lives Matter movement, it is time to examine it once more.

I first showed this painting in a lecture 8 years ago. It’s called ‘The Banjo Lesson’ (1893) and it’s by Henry Ossawa Tanner.

Henry Ossawa Tanner was the first successful African-American artist. He triumphed in a world that was predominantly white to create paintings of power, beauty and poignancy.

Tanner’s mother was a black slave who had dramatically escaped via a railroad. His father was a Methodist minister and an abolitionist. Henry’s middle name, ‘Ossawa’, referred to the struggle at Osawatomie in Kansas, between pro- and anti-slavery partisans.

Tanner was the only black student (at that time) to study at the Pennsylvania Academy of the Fine Arts in Philadelphia. His talent was recognised early, particularly by his teacher Thomas Eakins. He went on, like many great artists, to train in Paris where he encountered the work of Courbet and Millet.

Despite his success and clear skill, Tanner frequently experienced racism during his time in America. He recalled ‘I was extremely timid and to be made to feel that I was not wanted, although in a place where I had every right to be, even months afterwards caused me sometimes weeks of pain’.

After marrying a Swedish American woman one contemporary described: ‘He is an awefully [sic] talented man but he is black. … She seems like a well-educated girl and really very nice but it makes me sick to see a cultivated woman marry a man like that.’

Tanner’s most famous work is ‘The Banjo Lesson’ from 1893. It shows a grandfather passing on his creative knowledge to his grandson – a tender moment of human interaction.

What’s so important about this artwork?

Prior to this painting, black people had long been stereotyped as entertainers. They appeared in minstrel shows as buffoonish, ridiculous and dim-witted. Images propagated this idea that even if black people were no longer slaves, they were still inferior.

Tanner was one of the first to reel against this idea. He painted black people with grace, dignity and sensitivity. In this image, he paints the grandfather and grandson with nobility – they are intelligent and visibly capable of learning.

This quiet painting of beauty was an image of extreme resilience. Tanner de-bunked racist notions that had persisted for years.

Note the light. The boy is depicted with a warm, golden glow on his face. He’s in the foreground, closest to us. A blue, colder light falls upon his grandfather’s face. He recedes into the background.

The light differentiates the two worlds.

The grandfather is from the old world – a world of slavery, inequality and oppression.

All our hopes are now pinned on this boy. He represents a new world, the future.

What kind of world will he emerge into? A world of opportunity, education and change? A world where he will be treated as an equal?

Despite being painted over 100 years ago, this painting is still just as relevant an image today.

If you are interested in finding out more about Art History, including American Art History, why not join one of my Live Online Art History Lectures or Courses? Visit the online talks page to see my list of live talks.

The first famous Black American artist - Henry Ossawa Tanner (2)

The first famous Black American artist - Henry Ossawa Tanner (2024)

FAQs

What was Henry Ossawa Tanner best known for? ›

Henry Ossawa Tanner was an African American painter who frequently depicted biblical scenes and is best known for the paintings "Nicodemus Visiting Jesus," "The Banjo Lesson" and "The Thankful Poor."

Who was one of the first black artist? ›

Henry Ossawa Tanner (1859 – 1937) was an American artist and teacher who is widely recognized as the first African American to achieve international acclaim as a painter.

Was Henry Ossawa Tanner black? ›

Henry Ossawa Tanner was an African American artist who earned international acclaim for his religious paintings. His father was a prominent minister and his mother a former slave who escaped the South through the Underground Railroad.

What does Tanner emphasize in his painting the banjo lesson? ›

In The Banjo Lesson, Tanner's desire to show us his vision of the resilience, spiritual grace, and creative and intellectual promise of post-Civil War African-Americans is fully realized.

How did Henry Ossawa Tanner change the world? ›

Henry Ossawa Tanner was the first successful African-American artist. He triumphed in a world that was predominantly white to create paintings of power, beauty and poignancy. Tanner's mother was a black slave who had dramatically escaped via a railroad. His father was a Methodist minister and an abolitionist.

What materials did Henry Ossawa Tanner use? ›

Tanner worked primarily with oil paint and he built up his paintings with up to 22 layers of colour. Analysis shows that he had a technique of sandwiching layers of oil and resin between layers of pigmented or unpigmented tempera, a mostly water-based paint that he made according to his own recipe.

When was Henry Ossawa Tanner died? ›

In his later years, Tanner was a symbol of hope and inspiration f or African-American leaders and young black artists, many of whom visited him in Paris. On May 25, 1937, Tanner died at his home in Paris.

What was the first black painting in the White House? ›

In 1995, the White House Historical Association acquired a Tanner painting titled Sand Dunes at Sunset, Atlantic City from his grandniece Rae Alexander-Minter. It was the first painting by a Black artist acquired for the White House Collection.

Why did Tanner move to Paris? ›

Intending to settle in Rome, Tanner fell in love with Paris and remained there to study at the Academie Julien, soon painting two of his most important works depicting Africa-American subjects, The Banjo Lesson, from 1893 and The Thankful Poor in 1894.

How does Henry Ossawa Tanner's The Banjo Lesson create emphasis in Quizlet? ›

Henry Ossawa Tanner's The Banjo Lesson creates emphasis through size and placement of the figures, as well as the elimination of detail and bright colors in the background.

Which of the following art movements influenced Henry Ossawa Tanner's style of painting? ›

Tanner immediately took to his studies under the teachers Jean-Joseph Benjamin Constant and Jean-Paul Laurens. He became fascinated with the Symbolist and Impressionist art movements as well as the French countryside after taking summer trips to Brittany.

What is the significance of Henry Ossawa Tanner's 1896 painting The Resurrection of Lazarus? ›

The Resurrection of Lazarus depicts Jesus using his abilities to bring back his friend Lazarus from the dead. Probably the most powerful aspect of the painting is not Jesus or even Lazarus, but instead, the group of people who are watching the action take place.

What is significant about Tanner's painting the Seine? ›

Art historian John Wilmerding observed that The Seine is surprisingly modern when compared with the majority of Tanner's works, noting that “the soft colors and gauzy silhouettes, the open expanse of water and sky, and the high horizon serving to flatten the spatial recession are all Whistlerian in character.” Perhaps ...

Who was the great portrait painter Sir Henry? ›

Sir Henry Raeburn is perhaps the best known of all Scottish painters. He was almost exclusively a portraitist and his career was wholly in Scotland, mainly in Edinburgh. Apprenticed to a jeweller, it is not precisely known how Raeburn's attention turned to painting.

Which of Henry Tanner's paintings entered the collection of the Louvre? ›

Before leaving, Tanner sent his Resurrection of Lazarus to the Paris Salon where it was awarded a third class medal and was purchased by the French government for exhibition at the Luxemb ourg Gallery and eventually entered the collection of the Louvre.

What was Jean-Michel Basquiat best known for? ›

Jean-Michel Basquiat (born December 22, 1960, Brooklyn, New York, U.S.—died August 12, 1988, New York City) was an American painter known for his raw gestural style of painting with graffiti-like images and scrawled text.

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